Texas Christian University String Department
TCU CelloFest 2007 -- March 7-9, 2007
The Texas Christian University String Department
is one of the most active areas in the
School of Music. The curriculum includes
studio instruction, orchestral performance,
chamber music study, and instrumental
pedagogy. The String Faculty, which includes
nationally and internationally renowned
soloists, chamber musicians, and pedagogues
in violin, viola, cello, and bass, is
dedicated to providing its students with
individual attention and top-quality instruction.
String studies at TCU are offered for
both music majors and minors. The Programs
for Majors in Performance, which include
the Bachelor and Master of Music degrees,
are designed to produce well-rounded musicians
of the highest caliber who are prepared
for successful performing careers. The
Bachelor of Music Education degree stresses
performance as an integral part of the
curriculum and prepares and certifies
students for a teaching career in the
public school system. Additional programs
include the Bachelor of Arts in music,
a minor in music, and non-major activities.
String Faculty:
Dr. Germán Gutiérrez, Chair;
Director of Orchestras & the Center
for Latin American Music
Dr. Curt Thompson, violin, Director,of Chamber
Music and Mimir Chamber Music festival
Dr. Misha Galaganov, viola and violin
Dr. Jesús Castro-Balbi, violoncello
Dr. Blaise
Ferrandino, Doublebass
Mrs. Jo Lerue Todd, String Education
Scholarships and Assistantships
Each year the String Department awards several scholarships to music majors.
Outstanding non-music majors might also benefit from a partial or full scholarship.
Students receiving a String Department scholarship commit to become members of
the TCU Symphony and String Orchestras and to participate in all orchestra related
activities. The orchestra rehearsals are Monday, Tuesday and Thursday from 3:30-5:30
p.m. All orchestra members are required to register for the class and will receive
0.5 credit-hour per semester. Students receiving a String Department scholarship
are also required to take at least one hour of Applied Lessons. Graduate Assistantships
include full-tuition remission plus a stipend.
Auditions and Audition Requirements
Information about audition dates for string students newly entering
TCU may be found here. For
other admission requirements please visit
the School of Music website at www.music.tcu.edu,
where you will find the links to Admissions/Audition,
Faculty, Programs, etc. To schedule an audition you may contact Erin Gossett,
via
e-mail at e.gossett@TCU.edu or by phone at 817-257-6527 where she will be glad
to help you with any questions.
Audition requirements for violin
Audition Repertoire (BME. BM, MM)
•
2 contrasting movements of Bach (fugue preferably)
•
1st movement of a standard concerto with
cadenza
•
1 piece of applicant’s choice
•
2 etudes of appropriate technical demand
•
a portfolio of music studied, experience,
teachers, etc.
•
Statement of professional goals
Audition requirements for viola
1) A fast movement of a concerto
2) Two movements from a work for viola solo
by Bach, Hindemith, or Reger
3) A scale, including arpeggios (double
stops are required for MM applicants).
One of the first two compositions could
be replaced by a caprice, an etude, or a
virtuosic piece.
Audition Requirements for Cello (BM, BME, BA, MM):
Three works or movements of contrasting styles, such as:
A Suite by J. S. Bach
A concerto
A work showing virtuosity such as an etude or caprice
-Please contact Dr. Castro-Balbi j.castro-balbi@tcu.edu, 817.257.6617
with questions regarding repertoire selections and substitutions.-
Audition requirements for double bass
Prepare a SOLO - a movement from a standard concerto or a pre-approved solo of your choice
Plus THREE ORCHESTRAL EXCERPTS.
Choose ONE excerpt from
Beethoven: Symphony #9 - recitative,
Beethoven: Symphony #5 - 3rd movement beginning to 5 bars after "A"; Trio beginning to 23 after "B",
Mozart: Symphony #35 - 4th movement, beginning to 5 bars after "B"; bars 134-181,
Mozart: Symphony #39 - 1st movement bars 13 to 21; 14 before "A" to "C"; 4th movement - 27 bars after "B" to "C",
Mozart: Symphony #40 - 1st movement bars 114-134, 4th movement bars 49-70; Double bar to 132; 154-205,
Choose ONE excerpt from
Brahms: Symphony #2 - first movement 11 bars after "A" to 1 bar after "B", "E" to "F", 4th movement - "L" to "M",
Strauss: Don Juan - letter "A" to "C",
Strauss: Ein Heldenleben - #9 to 6 bars after #12; 8 bars before #16 to #17,
Choose ONE solo excerpt from
Mahler: Symphony #1 - 3rd movement solo,
Verdi: Otello - soli section,
Britten: Young Persons Guide To The Orchestra - Variation H soli,
Stravinsky: Pulcinella - Movement 7 solo,
Prokofiev: Lt. Kije - solo in Romance reh 15-16
Graduate Studies Requirements:
A movement of major double bass concerto,
two works from standard solo literature
in contrasting tempo plus 2 standard
orchestral excerpts.
Graduate student majors of other music
disciplines such as
Conducting, Theory/Composition and Musicology
are encouraged to apply.
NOTE: Acceptable repertoire substitutions
may be made by contacting the applied
faculty.
The TCU Symphony Orchestra and String Orchestra
The TCU Symphony Orchestra is a full symphonic ensemble dedicated to playing
professional-level concerts from the best orchestral repertoire. The String
Orchestra presents a variety of programs ranging from baroque to contemporary
repertoire. Under the baton of Dr. German Gutierrez, the TCU Symphony Orchestra
and the String Orchestra present several concerts each season. The orchestras
also participate in symphonic, choral, dance, drama, and theater performances.
The Symphony Orchestra travels nationally and internationally.
Both ensembles include a diverse student body representing more than ten foreign
countries including students from across the US, Central and South America,
Europe, South Africa, and the Far East.
The Chamber Music Program
Extensive chamber music experience is an integral part of every well-rounded
musician’s education because it combines the performance aspects of solo
and ensemble playing and develops musical sensitivity in the performer. Chamber
groups at TCU receive coaching from the faculty and perform regularly in master
classes for faculty and distinguished guests, and present concerts throughout
the year.
As a part of the chamber music program,
the Mimir
Chamber Music Festival is offered
each July to twenty students selected
by audition. Now in its seventh
season, Mimir presents TCU faculty in concert with members of the Chicago Symphony,
Cleveland Orchestra, and leading concert artists from the United States and
Europe. Student groups receive two coaching sessions daily, master classes,
performance opportunities, and tickets to all five faculty performances.
Center for Latin-American Music
The Center for Latin-American Music at TCU
emphasizes the performance, recording,
and dissemination of the music of Latin-American composers by collecting and
cataloging both published and unpublished music as well as serving as a liaison
to promote commissions of new works. The Center presented its first biannual
Latin-American Festival in conjunction with the Fort Worth Symphony Orchestra
in the spring of 1998, hosting performances and lectures by artists and composers
such as Daniel Binelli, Luis Jorge Gonzales, Marlos Nobre, Blas Atehortua,
Arturo Marquez and Edgar Valcarcel. The Festival has grown in size an importance
and includes Theatre, Dance, Visual Arts, Film, Literature and Music for a
month of celebration of the arts and artists of Latin American.
TCU New Music Ensemble (see G.Gabel)
Collegium Musicum (see J.
Butler)TCU and Dallas Fort Worth Area
Each semester TCU School of Music students
have many opportunities to attend and
participate in numerous concerts and
master classes of world-renowned
artists and guest orchestras. A wide variety of top quality
ensembles perform
in the area including the Fort Worth Chamber Orchestra, the Fort Worth
and Dallas Symphony Orchestras which perform
in Fort
Worth’s
Bass Performance Hall and the Meyerson Symphony
Center in Dallas respectively.
Dr. Germán Gutiérrez
Associate Professor, Director of Orchestras & the
Latin American Music Center
BM Tolima Conservatory
Maestro en Musica, Tolima Conservatory
MM, Illinois State University
DA, University of Northern Colorado
Associate Professor, Director of Orchestras
and Director of the Center for Latin American
Music at Texas Christian University, Dr.
Gutiérrez is also a frequent guest
conductor of international and American
professional orchestras such as the Fort
Worth Symphony and Dallas Symphony Orchestras,
the Philharmonic Orchestra of Bogotá,
the National Symphony Orchestras of Peru,
Colombia and Puerto Rico, the Rio de Janeiro’s
Teatro Municipal and Porto Alegre Symphony
Orchestras in Brazil.
In 2004, Gutierrez returned for an unprecedented
seventh year as guest conductor of the
Dallas Symphony's Hispanic Festival concert.
He
was also invited to conduct the DSO
in the celebratory concert for the opening
of the
new Latino Cultural Center in Dallas,
TX on September 16, 2003. Gutiérrez
also serves as Music Director of the
Greater Fort Worth Youth Orchestras Program.
During
the summer 2004, he conducted a European
Tour with the GFWYO conducting concerts
at the Mozarteum in Salzburg, Esterhazy
palace in Vienna, the Policka Teather,
and in the Check Republic of Prague.
Among other orchestras, Dr. Gutiérrez
has conducted the Auckland Philharmonia,
New Zealand, the Barranquilla Symphony Orchestra
and the Orquesta Sinfonica del Valle in
Colombia, the Greeley Philharmonic of Colorado,
and the Xalapa Symphony in Mexico. In 2002
he was invited to conduct the Opera Festival “Pergine
Spettacolo Aperto” in Italy.
Gutierrez
received his Bachiller and Maestro in
Music degrees from the Tolima Conservatory
in his native Colombia. He subsequently
received his Master in Music degree
from
Illinois State University and his Doctor
of Arts Degree from University of Northern
Colorado.
The Fort Worth Star Telegram listed maestro
Gutierrez and the TCU Symphony in the
Top Ten Best Classical Performers of
2002. Among
other awards Dr. Gutierrez was the recipient
of the 1999 Dean's Teaching Award, the
2002 TCU Dean's Award for Research and
Creative
Activity, and the 2003 Chancellor's Award
for Research and Creative Activity.
Curt Thompson, Violin
Associate Professor of Violin and Director
of Chamber Music
BM Indiana University
MM Indiana University
DMA Rice University
Violinist CURT THOMPSON is quickly gaining
recognition as a performing artist through
concerts given in the United States and
abroad. Performances for north Texas audiences
have been included three times in the ‘Top
10’ musical events of the year in
the Fort Worth Star-Telegram and recent
performances have been described by the
Dallas Morning News as “...sensitive...he
makes passion out of restraint." Mr.
Thompson has given recitals throughout Europe,
Central America, and South America including
performances at Salle Chopin-Pleyel (Paris),
the Bulgarian State Academy of Music (Sofia),
and the Teatro Nacional de Costa Rica (San
José). He has been a featured artist
in the Copland/Shostakovich Festival in
Rio de Janeiro, the Festival de Primavera
in Oaxaca, Mexico, the Spettacolo Aperto
festival in Pergine, Italy and the Seventh
Centennial Festival of Villarobledo, Spain.
As a concerto soloist, Mr. Thompson has
performed with several orchestras including
the San Angelo Symphony Orchestra, the Texas
Chamber Orchestra, the Medellín Philharmonic
Orchestra (Colombia), and in the upcoming
season with the Orquesta Sinfonica Nacional
de Peru. His debut CD of the violin sonatas
of Charles Ives was released in 2003 on
the Naxos label.
Mr. Thompson’s musical experiences
have been diverse. A strong proponent of
chamber music, he is Founder and Artistic
Director of the Mimir Chamber Music Festival,
held annually in Fort Worth, Texas. Since
its inception in 1998, the festival has
gained prominence as one of the premiere
chamber music institutes in the southwestern
United States. In 2002, he maintained a
violin studio at the Indiana University
School of Music where he was invited as
Guest Artist/Lecturer. Mr. Thompson has
given master classes at leading music schools
including Indiana, the Bulgarian State Academy
of Music (Sofia), and the Royal Academy
of Music (London). As an orchestral musician,
he has served as Concertmaster of the Fort
Worth Symphony Orchestra (by special invitation),
the Spoleto (Italy) Festival Orchestra,
the San Angelo Symphony Orchestra, and the
Texas Chamber Orchestra.
Mr. Thompson holds Bachelor and Master of
Music degrees from Indiana University where
he was a student of Russian pedagogue Nelli
Shkolnikova. While at Indiana he was awarded
the prestigious Performer's Certificate,
an honorary diploma for outstanding artistry.
He received the Doctor of Musical Arts degree
in 2003 from Rice University's Shepherd
School of Music, where he served as a teaching
assistant to Sergiu Luca. His dissertation
topic was the violin sonatas of Charles
Ives.
Currently, Mr. Thompson makes his home
in Fort Worth, Texas where he has served
since
1997 as Professor of Violin and Director
of Chamber Music Studies at the Texas
Christian University School of Music.
Teaching Philosophy
My purpose is to prepare students to lead
successful careers, or to be able to
do so, in a capacity congruent to their
specified
degree while guiding their study in
such a way as to insure interest and
knowledge
in the world around them.
Misha Galaganov
Associate Professor of Viola and Chamber
Music
BM-Jerusalem
Artist Certificate-Southern Methodist
MM-Rice
DMA-Rice
m.galaganov@tcu.edu 817.257.6619
Dr. Misha Galaganov, Associate Professor
of Viola at TCU, has performed as a soloist
in Russia, Israel, Czech Republic, Holland,
Belgium, Austria, the USA, and Mexico. He
has been invited to collaborate in solo
and chamber music performances with such
musicians as Martha Katz, Paul Katz, Donald
Weilerstein, Ko Iwasaki, Eduard Brunner,
and many others in Europe and the USA.
Dr. Galaganov has taught and given master
classes in numerous festivals, including
Orlando festival, Music in the Mountains,
Mimir, and others in Holland, Austria, Israel,
and the USA. He is referenced in Who’s
Who in Fine Arts on AcademicKeys.com, an
informational source about the faculty,
educational resources, and professional
activities in the USA. He has also been
selected to be profiled in Marquis Who’s
Who in America, 2005 scheduled for publication
in October 2004. Misha Galaganov serves
as the conductor of the String Orchestra
division of the Youth Orchestra of Greater
Fort Worth and as the director of the YO
chamber music program. In addition, Dr.
Galaganov is a co-director of Fort Worth
Amateur Chamber Music Roundup festival.
Born and educated in Russia, Dr. Galaganov
also holds a Bachelor of Music degree from
Jerusalem Rubin Academy, an Artist Diploma
Certificate from SMU in Dallas, and a Master
of Music and DMA from Rice University in
Houston. He has taken master classes with
Tabea Zimmermann and Tokio Quartet, and
his main teachers included Pavel Galaganov,
Michael Kugel, Barbara Hustis, Martha Katz,
and Wayne Brooks.
VIOLA LESSONS
The approach to each student is highly individual.
The following skills are taught to every
student:
•
Critical use of knowledge
• Efficient practice/study skills
• Objective self-evaluation
• Concentration on individual progress and
goals
• Ability to learn from performances of others
• Basic technical principals of playing the
instrument
• Predominance of musical approach to performance,
including performances of exercises and
scales.
The following is varied:
• Goals
• Amount of assigned music
• Amount and character of assigned analyses,
research, reading, etc.
• Grading for performances
• Programs
• The manner of playing the instrument, including
hand positions, bowing, fingering, hold
of the violin or viola, and many other details.
• The ways of communicating with students
Jesús Castro-Balbi
Assistant Professor of Cello
BM-Conservatoire National Superieur, France
Artist Diploma-Indiana University
MM-Yale University
DMA-The Juilliard School
j.castro-balbi@tcu.edu 817.257.6617
Cellist Jesús Castro-Balbi performs around the globe as a soloist, recitalist,
and chamber musician. Among other awards, Mr. Castro-Balbi is the winner of the
First Prize at the First Carlos Prieto Latin American Cello Competition, in Mexico,
and served as a juror to the Second Prieto Competition. He has given master-classes
at the Boston Conservatory, the Yale School of Music, in Peru and in Venezuela.
Highlights for 2004/2005 include appearances
with the Dallas Symphony, the Corpus Christi
Symphony, the Philharmonic Orchestra of
the UNAM in Mexico City, the
Aguascalientes Symphony (Mexico), the National Symphony in Lima (Peru), the Orchestra
of Cannes (France), the Aarhus Symphony (Denmark), and the premiere of the Concierto
Indio by Edgar Valcárcel with the TCU Symphony. Mr. Castro-Balbi has collaborated
with conductors Giancarlo Andretta, Germán Gutiérrez, Arild Remmereit,
Joel Sachs, and Lawrence Leighton Smith, performing with the Mexico City Philharmonic
Orchestra, the Philharmonia Orchestra of Yale, and the New Juilliard Ensemble
in the New York premiere of the Cello Concerto by Mark-Anthony Turnage. Other
appearances include Alice Tully Hall at Lincoln Center, Weill Hall at Carnegie
Hall and Symphony Space in New York; SummerFest La Jolla, California; and the
Banff Centre for the Arts, Canada. His performances have been broadcast on BBC
World, Japanese public television NHK, Korean national television KBS, French
television TV5, and in the US on WNYC and on National Public Radio’s Performance
Today.
Mr. Castro-Balbi collaborates in chamber
music with Maria de los Angeles Castro-Balbi,
Rostislav Dubinsky, Henning Kraggerud, Jesse Levine, Cho-Liang Lin, Arnaud Sussman,
and is a founding member of the Castro-Balbi/Lin Duo and of the Momentum Piano
Trio with pianist Gloria Lin and violinist Jennifer Choi. He took part in prestigious
festivals, including Norfolk, Connecticut; the Bartók Festival in Szombathely,
Hungary; the Isaac Stern Third International Chamber Music Encounters in Jerusalem,
Israel; and the Manchester (England), and Beauvais (France) international cello
festivals.
Mr. Castro-Balbi is a graduate of the Conservatoire
National Supérieur
in Lyon (France), Indiana University-Bloomington, Yale, where he received the
Aldo Parisot Prize, and of The Juilliard School, where he was a Pre-college division
faculty member. He studied cello with Iseut Chuat, Marc Coppey, Jean Deplace,
Aldo Parisot and Janos Starker and chamber music with Boris Berman, Rostislav
Dubinsky, Joseph Kalischtein, Fred Sherry and members of the Amadeus, Juilliard,
Ravel and Tokyo String Quartets.
Blaise Ferrandino , Double Bass
Since 1990
Associate Professor of Music
BM-Ithaca College
BME-Ithaca College
MM-Syracuse
DMA-Hartford
b.ferrandino@tcu.edu 817.257.6608
Blaise Ferrandino earned a DMA from the Hartt School of Music where he studied composition with Edward Diemente and Donald Harris and double bass with Gary Karr and David Murray.
He has performed in numerous orchestras and, as a composer and theorist, had performances, lectures and publications presented on an International level. He is the President of the Texas Society for Music Theory.
For further information
about the TCU String Program,
contact:
Dr.
Germán Gutiérrez
Division Chair, Strings
Texas Christian University
School of Music
TCU Box 297500 - Fort Worth, Texas 76129
1.800.TCU.FROG
817.257.7602 Fax: 817.257.7344
music@tcu.edu
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